Chandler held up Dashiell Hammett as the exemplar of what he referred to as the new "realist" school of crime fiction, yet Chandler was Hammett's equal, if not his superior in the style that would also become known as noir. It's a worthy aesthetic, and Chandler was certainly the master of it, even back in 1944, when he wrote "The Simple Art of Murder." The essay was a repudiation of the English school of murder mystery - best represented by Agatha Christie - or, more specifically, the countless American knockoffs thereof, genteel, stilted puzzles set in "Miami hotels and Cape Cod summer colonies," rather than manor houses. He must be, to use a rather weathered phrase, a man of honor, by instinct, by inevitability, without thought of it and certainly without saying it." He must be a complete man and a common man and yet an unusual man. This man, the detective, "is neither tarnished nor afraid. "Down these mean streets a man must go who is not himself mean," Raymond Chandler wrote in "The Simple Art of Murder," which could be called the manifesto of the American hard-boiled detective novel.
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